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Wrong Is Right Customer Reviews (1 - 3 of 6 Reviews)

You Won't Go Wrong With This Film! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
A buried treasure, Wrong Is Right - as so many others have commented - is one of the rare pieces of fiction that predates the facts. Kudos to Richard Brooks for accurately predicting modern day media and international politics from the vantage point of 1981.
The movie is criticized for its apparent uneveness - swaying back and forth between thrilling drama and outright humor. As it stands, the screenplay is pure political satire. Some can stomach it, others can't. I maintain that it's a great film but, released in 1982, no one could comprehend its subject matter of a near future with society in chaos. Nevertheless, Wrong Is Right is a fascinating motion picture that deserves a second look. Beyond the seemingly dated facade of 1982 is a timeless tale of sinister world leaders and terrorists, an intrepid newsman, and the neverending quest to spin the truth.

Disturbingly Prophetic of 9/11 and the War on Iraq FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
Back in 1983, I knew this movie had to be good, because my mother lobbied so hard to keep my father from taking me to it. She was afraid that it would be cynical, subversive, and morally reprehensible. He took me, anyway, and she was blessedly right. Naturally, I loved it. WRONG IS RIGHT was truly a film out-of-time. It feels either astonishingly dated (it makes a good double feature with DR. STRANGELOVE, or THE PRESIDENT'S ANALYST) or disturbingly prophetic (WAG THE DOG's team and Michael Moore could have used it as a text book). But, in the Eighties, you just didn't seem 'em like this. I'm not sure if it's a really great film -- many of the jokes misfire, and many of the plot elements appear more winningly in other works. Still, its singularly smarmy energy and unrepentantly bleak view of society, politics, and the media are outstanding virtues, sure to warm the heart of any curmudgeon. In the wake of 9/11 and the war on Iraq, much of the film is utterly chilling. It has become really hard to watch, and I mean that as a high compliment. You'll also be treated to a Who's Who of stock, B-level superstars: Robert Conrad; GD Spradlin; John Saxon; Katharine Ross; Leslie Nielson; Henry Silva; Rosalind Cash: Robert Webber; George Grizzard; Dean Stockwell; and even a cameo by Jennifer Jason Leigh!

Freakishly accurate predicton of 9/11 20-plus years ago! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff. empty skull, sniff.
Watching this movie is really frightening (in a good way) when you consider the world we live in today, and that this movie was made back in 1982.

Here's the plot: A buffoonish US President from Texas (with a token black woman on his White House staff) finds out (during an election year) that an Arab terrorist group is planting two bombs in the World Trade Center in NYC.

His critics say there is no evidence of these WMDs. In the end, he "finds" the bombs and uses it as justification to invade the Arab country he suspects of planting them. The Arab country, it turns out, had nothing to do with the planned WTC attack. Actually, the CIA planted the bombs as part of the president's re-election strategy. (This fact remains a secret from the public).

Even though the president has the lowest approval ratings ever, he gets a boost from the unjustified war in the Middle East and wins re-election (and his cronies in Texas get control of the Arab oil fields).

Sound familiar? It was supposed to be "black comedy" back in '82. We were supposed to watch this and think, "Well, thank God that would never happen!" But it has! And, that's pretty darn scary!

Unfortunately, the film doesn't really work as pure entertainment. For one thing, the editing seems to have been dome with a weedwhacker. And a lot of it doesn't make much sense. Still, Connery does well with what the script gives him.

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