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Washington Square Customer Reviews (1 - 3 of 15 Reviews)

Pitiful FULL SKULL BABY! empty skull, sniff. empty skull, sniff. empty skull, sniff. empty skull, sniff.
One word to describe this movie PITIFUL.
Do yourself a favor invest in the older version The Heiress,you will not be disappointed

don't waste your time FULL SKULL BABY! empty skull, sniff. empty skull, sniff. empty skull, sniff. empty skull, sniff.
Evidently this movie is based on a book. I have not read this book. Hopefully it's better than the movie. The movie is horrible. Do not waste your time watching it, it will leave a bad taste in your mouth. It's very depressing and Albert Finney's character is a jerk and so is Morris. No happy ending and no finality. Yuck, yuck, yuck.

Pretty But Dull FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff.
This adaptation, like 1949's *The Heiress*, is based on the Henry James novel. *The Heiress*, starring Olivia de Havilland, remains as a well-respected piece of work, though less true to James' original story than this new remake, which retains James' original title. It is the story of a awkward, yet loving daughter , devoted to her father after her mother dies during childbirth. The arrogant father holds his daughter in no esteem whatsoever, and considers her, as well as all women, simpleminded. When a young man of good family and little fortune comes courting, the Father is naturally suspicious, but feeling so sure that his daughter could hold no interest for any man, is convinced that the young man is a fortune hunter and forbids her to see him. Leigh is a controversial actress - most either love her or hate her - and she always has a particular edginess and tenseness to her style, like she's acting through gritted teeth. She's not bad in this, and she handles her role relatively deftly - it's just an awkward role for any actress, making the audience want to grab the character by her shoulders and shake her until she comes to her senses. While the character garners a lot of sympathy, she's not particularly likable. The very handsome and immensely appealing Ben Chaplin (previously seen in *The Truth About Cats and Dogs*) plays his role with the exact amount of mystery required to keep the audience guessing whether he is after her fortune, or is really in love with her. Maggie Smith is one of the finest actresses alive and raises the level of the movie considerably with her portrayal of the well-meaning aunt. Finney is marvelous, of course, as the father who threatens to disinherit his daughter for her disobedience, but the daughter is willing to risk that for the man she loves. But does her ardent suitor still want her without her fortune? This is only one instance where *Washington Square* differs from *The Heiress*. Another instance is the ability to stick with it. It is a handsome movie that is as tedious as a dripping faucet, offering too little story in too long of a movie.

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