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Those Calloways Customer Reviews (1 - 3 of 7 Reviews)

Inspiring characters
In a remote area of 1930's Vermont, a small town named Swiftwater is proud of their small town country atmosphere. They are happy behind the times and away from the hustle and bustle of big city life and tourism. All that changes when a traveling salesman discovers their town and the flocks of Canadian geese that fly over every year. He begins convincing the town they are sitting on a gold mine of hunter tourism potential. But he has to get past Cam Calloway (Brian Keith), a local trapper that many think is a crackpot for protecting the geese. His true friends think he is a hero as they know that if tourist sized groups of hunters move in they will lose their flocks.

The Calloway family lives out in the woods in conditions not that far from a frontier lifestyle on land owned by the local land baron, quick to throw anyone off their land for a penny short on a payment. He hopes the Calloway's are late on their mortgage since he has loggers that want the land. Cam Calloway is part Indian and feels closeness to the land, but is a very poor man. While he is a trapper by trade, his tribal totem is the geese and he goes to great lengths to protect them. He uses a big chunk of their winter profit to put a down payment on some land for a sanctuary for the geese, and a sudden crash in the fur market causes him to lose the mortgage on his house. Naturally his wife is furious. His wife Liddy (Vera Miles) flows from tolerance and understanding to frustration and rage. After losing the house, she pushes him to build a house on the new sanctuary. When his building is slow going due to his goose work, the family friends join together for an old-fashioned house raising and dance. In a welcome turn of events an anonymous philanthropist donates cash to help the sanctuary, but there are questionable motives at work, and the deceived Calloway fights back, risking his own life for his beloved geese.
Cam is a wonderful family man, but whenever things go really badly he starts drinking, he seems to ruin things for himself and the family. In the meantime their 18 year old son is trying to help his family, while trying to untangle his own feelings about the girl Bridie (played by a teenage Linda Evans) that has been his life long pal, and is suddenly becoming a woman. His scenes when he is trapped in a wolverine den fighting for his life are action packed and suspenseful. All in all wonderful wholesome film filled with good life lessons. Unlike other projects from the studio, the characters are not simply good and bad, but more like real people with failed aspirations, faults, combined with strengths that make them special. Romance, comedy, suspense, action, drama, nostalgia,.. this film has it all.

Theatrically released on June 28, 1965 in Technicolor, running time is 131 minutes. Walt Disney was still alive during production, and had his influence on the film. Brian Keith and Vera Miles are incredible in their complex shifting characters. The film is loaded with a strong group of supporting actors such as Ed Wynn and Walter Brennan. Directed by Norman Tokar, the screenplay was developed by studio regular Louis Pelletier from a book by "Swiftwater" by Paul Annixter". Pelletier also worked on Big Red, Follow Me Boys!, and The Horse in the Grey Flannel Suit while at Disney. The colors of the New England woods as they move through all the seasons is spectacular. The inspiring musical score was composed by Oscar winning Max Steiner, famous for his compositions for Casablanca, Gone With the Wind, Treasure of the Sierra Madre and more. Well known for how highly he thought of himself, he advised the screenwriter, "Don't worry young man, I'll save the the picture". The famous composing Sherman Brothers wrote the songs "Rhyme-Around", and "The Cabin-Raising Song", both from the house raising scene. Studio animal trainer William Koehler trained the wolverine, bear, dog and other animals, (see his book "The Wonderful World of Disney Animals"). The scene where Vera Miles beats a bear with a broom is quite real, the bear was terrified and took off running under her enthusiastic blows.
Reviewers at the time raved about the scenery, but very few shots were actually done on location. The hunting scenes and some establishing shots of the woods, geese flocks, and hills were shot in Vermont. Then the work moved to the Disney studio lot. The crew built the cabins, lake, and town at an area of the studio known as Berm five. Extensive matte shots (not by Peter Ellenshaw this time) helped for the backgrounds, and greensmen created hand painted trees and shrubs by coating live trees and shrubs with ,olasses to protect them, then spray paitning the colors on them. Tons of liquid ambers and elms were also planted on berm five at the studio lot. An 18" lake was dug up and filled with water, then surrounded with 600 cornstalks. The interior sets were decorated by Emile Kuri, whose interior design work is in almost every Disney movie prior to Walt's death. Aired on the "Wonderful World of Disney" for the first time as one of the few 3 part episodes on January 12,19, and 26, 1969, and aired again in `74 and `78. First video release was in 1985.

DVD: The widescreen is not complete, and has still been adjusted to fit your picture. It is a step up from full-frame, but the complete picture is not here. There are no extras or behind the scenes info, not even a trailer or a cartoon. Maybe they should have added their nature documentary, "The Water Birds" as an extra. The color is good and the picture is very clean. Sound is good too.


This is to Honk for!
This is another great Family movie made by Disney. It is hard to find good, safe, clean and fun and entertaining movies made anymore. One has to look back to the good Old Disney Classics to find these type of movies.

This movie has a boat load of morals taught thru out the film. It is a comedy, an action, a romance and family flick packaged together.

My twin boys age 3 love this movie also.

Beware Disney's 1.66:1 ratio DVD's
With the ration of 16x9 television actually being 1.78 to 1, how does Disney fit it's 1.66 to 1 movies on widescreen....by chopping off information, that's how.

First, Disney gives us full frame Pan & Scan pictures. Then, once someone has convinced them to start selling widescreen DVD's, they still can't get it right and adjust the picture so we see all of it.

In "Those Calloways", it is immediately noticeable during the opening credits....and continually pops up in the form of decapitated actors [or at least the TOPS of their heads.]

Tyring to get a decent transfer of a movie out of Disney appears to be like pulling teeth.

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