The Man Who CriedRating:
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The Man Who Cried Reviews
Just......No.
The back of the movie described it as a tale of "passion, intrigue, and betrayal", though I was the one who felt betrayed. I was highly bored throughout the whole movie:
A lot happens in this movie. It just all happens very....oddly. There is very little dialouge. Scenes shift from people singing on stage to people staring at each silently to wandering around. Every time you expect some type of drama or excitement, the scene changes.
While the movie progresses, we see different lives: Russian jews, roaming gypies, the opera. We really don't get any sort of feel for their lives though. We see five minutes of each, usually little understand since it's in a foreign language.
There doesn't seem to be any real emotion in the movie. Susie's village is burned, the Germans march through Paris...but no one really seems to care! We get one emotional scene between Ricci and Depp, but even then it's not expressed well.
This movie alternated between putting me to sleep and making me swear at the randomness of the scene transitions. It's not a good romance, not a good drama, it's just nothing. A hour and 40 minute bore.
The waiter took my plate away...
...while I was still eating the main course! That's how I felt about this movie.
It's so beautiful, I WANTED to love it. I'm a Depp fan, and he and Ricci make a lovely couple. Cate Blanchett is looking her best, and the plot is interesting.
Fegele is a young Jewish woman who has been separated from her family as a child. Raised in England by distant foster parents, she longs to go to America to find her father, but has to earn enough money first. Along the way, she meets a smolderingly handsome gypsy (Depp), a kindhearted Russian gold-digger (Blanchett), and a very self-centered Italian opera singer (Turturro). Meanwhile, the Nazi menace is approaching, and it's no good time to be a Jew in Europe. So far, so good.
Unfortunately, you don't get a chance to really grab hold of this movie. Characters don't do much talking (well, except the opera singer, but who wants to hear him rant?). There's a lot of dialogue conducted via soulful looks and silent reproaches. All very nicely done, but it's up to you to figure out what characters are really thinking and feeling.
But here's thing that really bugged me: The ending. If you like to have the loose ends all tied up when the credits roll, you'll be disappointed. I felt the ending was rushed, and could've easily done with another 30 minutes or so. Instead, I was left wondering what would've happened next. If you don't mind that, rent the movie and enjoy it.
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