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The Good, the Bad and the Ugly Customer Reviews (70 - 72 of 91 Reviews)

One of the great Westerns in an amazing package!
MGM released a DVD edition of "The Good, the Bad and the Ugly" in the late 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone's Western epic the double-disc special edition it deserves. The print is restored and as clear as I've ever seen it, the sound is now an astonishing 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian original have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.

The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The New York Times said of it: "the most expensive, pious, and repellent movie in the history of its peculiar genre. There is scarcely a moment's respite from the pain." It's amazing how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European way. Now the film is considered a classic, and only Sergio Leone's own "Once Upon a Time in the West" (another great 2 DVD set, by the way) has more respect in the genre. Leone's strange style -- stretched out time, obsession with close-ups and extreme wide-shots, focus on rituals, and use of Morricone's wild and avant-garde score -- are all in full force in this tale of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable 'hero' Blondie (Clint Eastwood), the crazy comic bandit Tuco (Eli Wallach), and the calculating immoral sadist Angel Eyes (Lee Van Cleef) cross each other's paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It's a strangely emotionally affecting picture despite its focus on three men who are detached from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of "greatest hits." Most astonishing of all is "The Ecstasy of Gold" sequence where Tuco dashes madly through a cemetery, looking for the grave that might hold the gold. Morricone's music here is especially overwhelming.

Chances are you've seen the film and love it. What about the new scenes and the extras?

Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won't be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to help him chase Blondie; Blondie and Angel Eyes having a face-to-face when they first set out together to find the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their own voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn't imagine someone else imitating their voices -- it couldn't have been done any other way. Prescott is pretty good as Angel Eyes, if a bit more gravelly.

The extras...

Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood's biography and also did commentary on Leone's "Once Upon a Time in America" DVD. His comments can be pretty dry, and he focuses mostly on Leone's style and techniques instead of on background information on the filming itself. Nonetheless, there are many interesting insights, and Shickel manages to say a lot during the three-hour running time.

Most of the extras are on Disc 2:

"Leone's West" -- A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There's some very interesting info and memories here, mostly from Knox and the two actors.

"The Leone Style" -- A 23-minute documentary, really just an extension of the first one. It spends more time on Leone's unusual techniques. The same interviewees appear here.

"The Man Who Lost the Civil War" -- A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an important insight into the world of Blondie, Tuco, and Angel Eyes.

"Reconstructing The Good, the Bad and the Ugly" -- An 11 minute look into the painstaking work involved with fixing the picture and sound, restoring the cut scenes, and re-dubbing it.

"Il Maestro: Ennio Morricone" -- 8 minutes; mostly an interview with music scholar John Burlingame about the film's score. At the end of the feature, you can choose to listen to an audio-only twelve-minute lecture by Burlingame that provides a much more in-depth analysis of the music.

"Deleted Scenes" -- Two scenes couldn't go back into the film. The extended torture scene had a damaged negative, so here it is in its rougher state. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.

Finally, there's a gallery of posters, the original trailer, and MGM tossing in some gratuitous advertising for their other films.

Don't miss this DVD. Not only is it one of the great action films and one the great westerns, but it's the kind of release that the DVD format was invented for!

A solid DVD with a few glaring omissions
A few years ago, MGM released The this movie on DVD with an excellent transfer and a modest collection of extras. This year, they have gone back to the well and released a 2-disc special edition with a new assortment of supplemental material and restored the movie, as close as possible, to Sergio Leone's original Italian version. Does all this new material warrant an upgrade from the original release? You betcha!

The presence of Eastwood biographer Richard Schickel on many of the film's extras places the emphasis a little more on Eastwood than Leone. It's unfortunate that Christopher Frayling, author of Something to Do with Death, the definitive book on Sergio Leone and his films, was not included on this DVD. His presence on the Once Upon A Time in the West DVD was invaluable and he is sorely missed on this one. Having said that, the extras that are on this new 2-DVD set are top notch.

On the first DVD is an audio commentary by film critic and historian Richard Schickel. He starts off the track by explaining how the film was originally cut by over twenty minutes for the American release. This new version is as close to Leone's original Italian version as is possible with the surviving footage. Schickel talks at length about Leone's distinctive style of filmmaking. He also talks about the influence of fine art on Leone's style. Despite mistakenly calling Angel Eyes The Ugly character from the titles (it is actually Tuco), his track is very informative and rich with interesting factoids.

The second DVD begins with a twenty-minute featurette entitled, "Leone's West," which looks at the making of this classic western. Clint Eastwood, Eli Wallach and the film's producer Alberto Grimaldi talk about their experiences and recount wonderful anecdotes in brand new interviews. The one glaring omission is the downplaying of Lee Van Cleef's contribution to the film. Just because he isn't alive to provide his own thoughts, this featurette pretty much ignores his significant contribution to the movie.

"The Leone Style" examines the director's unique approach to the craft of filmmaking. He favoured long takes and often juxtaposed close-ups with long shots that gave his movies a grandiose quality. This is a good extra.

An element of the film that is not often examined is the American Civil War that acts as a backdrop to the main action of the film. "The Man Who Lost The Civil War" examines the "Sibley Campaign" that actually took place on the Texas-Mexico border as depicted in the film.

"Reconstructing The Good, The Bad and The Ugly" is a look at how this classic was restored to almost its original length.

Ennio Morricone's invaluable contribution is examined in "Il Maestro: Ennio Morricone and The Good, The Bad and The Ugly."

There are also two deleted scenes that could not be integrated back into the movie because the original negative was too badly damaged. One scene is even reconstructed through stills and footage from the French trailer.

MGM has released a quality product with this new special edition 2-DVD set. There is enough material to warrant an upgrade if you have the original DVD. The discs come in an attractive package, the film has never looked better, the new footage neither hinders nor improves the film, and the extras provide fascinating background to this classic western that redefined the genre.

A few scenes more
Sergio Leone proudly served up his finest spaghetti Western to a Roman audience in the final days of 1966. The premiere print of "The Good, the Bad and the Ugly" sprawled over three hours in telling its tale of three desperados in search of gold amid the chaos of the Civil War.

The men from United Artists also were on the trail of treasure. American audiences, they knew, would not sit for a 178-minute Western, especially not an import starring a TV actor (Clint Eastwood).

Out came 17 minutes, and so was breach-born the version of "Good, Bad, Ugly" that has endured as a male-bonding touchstone for four decades. Looking to make things right (and to mine more gold), MGM a few years ago decided to re-create the storied film that unspooled in Rome that night. The restored, full-length English version of Leone's epic is worth every dollar in this two-disc DVD Collector's Set.

Sure, Leone's film loses much on the small screen -- its borderline-surrealistic vistas shot in Spain are legendary -- but the DVD's visuals are clean, with decent contrasts (anamorphic widescreen, 2.35:1). Compared to MGM's 1998 release, there's a dramatic reduction in flatness, speckling and miscellaneous wear. The 5.1 Dolby Digital audio has its moments but isn't up to the standards of the imagery.

The DVD medium is, of course, unrivaled at presenting the history of complicated productions like these. MGM's set gets that job done, for the most part. Eastwood biographer Richard Schickel does the heavy lifting in a commentary that, amazingly, runs on fumes only near the end of three hours. The 2002 restoration project is covered in an 11-minute docu that goes over the added/restored scenes. They mostly just smooth out the narrative, but it's hard to reimagine the film without them.

"Good, Bad, Ugly" is as closely associated with composer Ennio Morricone as with Leone. Film music historian Jon Burlingame talks about the maestro in a short featurette and in a more-detailed audio lecture. No explanation is given for Morricone's lack of participation on the DVD, and you get the feeling he's been downplayed for not playing along.

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