The Garden Of The Finzi Continis

The Garden Of The Finzi Continis

Rating: FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! Half Skull, Meh.
Release Date: 19 June, 2001

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The Garden Of The Finzi Continis Reviews


brilliant historical drama on youth and italian fascism FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
This is a deep and lyrical film on the Italian brand of fascism, which many have argued was a "lighter" and more acceptable version than the Hitlerian variety. Well, in this film, what that translates into is that the noose tightens more slowly. In this, you witness gifted and lucky youth, as they attempt to cope with and then shut out what is happening outside the confines of the walls of their property. There are the aristocratic and beautiful Finzi-Continis and their poorer Jewish confreres. Of course, there is also a wonderfully sensitive story of young love, with all the seemingly endless pain that can entail, which sets a backdrop to the dangers that they all face. The fascists are still brutes, but in Italy they know how to smile before slashing when the time is right for them.

The film also takes place in Ferrara, which for me was fascinating personally. I lived quite near that city, and often went there to stroll with my family. I knew the area well, and this film provides a snapshot of what it was like for many who lived 70 years ago. It was the end of a world, vividly portrayed as lost potential.

This was, I believe, Dominique Sanda's first film. She is less well known in the US because she chose not to come to Hollywood, though she was wooed for years with stardom. Instead, she chose to act in high quality serious films in Europe, which are always a treat to come across. Sanda is a genuine artist. In this film, her acting is flawless and subtle - she is arrogant, sensitive, caring, and spoilt all at the same time and totally believable. The other actors shine less brightly, perhaps, but are still excellent.

Warmly recommended.

The fate of refusing to believe the unbelievable when it's the truth FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
How people blind themselves to the reality around them and insulate themselves from the truth. The movie deals with the Fascist takeover of Jewish property and freedoms in Italy during WW II.

The focus is on one Jewish family and their refusal to take seriously what's happening to them by the authorities until it's too late: by movie's end they are stripped of their property and are being readied to be shipped to a concentration camp. Yet they STILL can't see the writing on the wall. Their insular lives are totally consumed with playing tennis and bicycle riding and flirting with one another. (The walled-in garden is a major symbol of their insularity.)

De Sica makes the ending as painful and shocking as possible for the viewer by photographing everything in bright sunshine and pastels. And painful and shocking it is - like watching lambs being sent to their slaughter. An evocative, excellent movie.

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