The Brave Little Toaster Goes to Mars

The Brave Little Toaster Goes to Mars

Rating: FULL SKULL BABY! FULL SKULL BABY! Half Skull, Meh. empty skull, sniff. empty skull, sniff.
Release Date: 02 March, 2004

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Cast: Complete Cast (12 total)


The Brave Little Toaster Goes to Mars Reviews


The Disney dept f bad animation does it again.... FULL SKULL BABY! empty skull, sniff. empty skull, sniff. empty skull, sniff. empty skull, sniff.
Adults and kids will fall asleep watching this movie where the old formula of talking animated characters that work from a bad script is clearly here from first to last frame. Then again it's Disney, so why be surprised?!

Bizarre but Worth it. FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
This movie opens with the same underlying conflict in the heart of every appliance; the fear of not being useful. The bickering of our main characters with the microwave (similar to the high-tech appliances in the original) reminds us of this. Then, when Little Master is born, he forges a bond with the appliances. A hearing aid in the junk drawer, once belonging to Albert Einstein, plans to be beamed up to the moon by a colony of rebel 'built-to-break-down' appliances, led by a giant refrigerator "Supreme Commander" who is in actuality the brother hearing aid. Unfortunately, Little Master is beamed up instead. Ratzo the rat is forced to tussle with the Monitor in the baby's crib while the five main characters, a Carol Channing ceiling fan, a hyper calculator, and the hotshot microwave are forced to fly out to Mars in an oversized laundry basket. With the aid of popcorn and their old pal Wittgenschtein, of course.

On Mars, they encounter Viking I the satellite, and a Christmas angel who's never seen a tree. Also, the colony of rebel Wunderluxe appliances have a serious vendetta against man, and plan to destroy earth with a missile launch; they might remind one of the pokemon Mewtwo, created by humans but resentful of them and with a free will, wishing freedom, and to rebel against their former 'Masters' and creators.

This movie raises the dubious question of what's alive and what's not, as has been rightly pointed out. I don't want to say this a goof that wrecks an otherwise satisfying film, however, it's worth considering. The Christmas ornament, clearly not an electrical appliance, but rather a little doll with organic hair and robes, is alive. But the garbage can she's placed in at the end is not. Okay, chalk it up to enchantment. Christmas is supposed to be magical. The kitchen faucet can also speak, but that's even acceptable. It's those balloons in space that make one wonder; a balloon is also, in this film and clearly not the other two, is to be extended the privilege of possessing a soul? In the other two this was reserved for all humans, all animals, and all electrical devices alone. What separates a balloon from a sofa? Sure, it was the obvious object that would be living out in space due to the unsteady grip of a child. Yet still...

If one simply listens to their song and appreciates it for what it is, and doesn't analyze it, it's easier. In the end, peace comes to the reconciled appliances, the baby returns home, and essentially everyone is content, perhaps except Viking I...but even he will remain in contact with Angelina, the ornament. The songs are weakest in this film. The plot is utterly weird. But the song Chris sings to Little Master, "I see a new you," is actually very pretty when you hear it multiple times. And overall the movie is not a huge disappointment.

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