Sunset Boulevard (Special Collector's Edition)

Sunset Boulevard (Special Collector's Edition)

Rating: FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
Release Date: 01 March, 2004

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Cast: Complete Cast (16 total)


Sunset Boulevard (Special Collector's Edition) Reviews


"Back at that pool again. The one I always wanted" FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
I watched "Sunset Boulevard" (1950) for the first time a few days ago, after a friend lent it to me. I am very grateful to him because otherwise I probably wouldn't have rented it, or at least not anytime soon. And truth to be told, this is the kind of movie that you simply should watch as soon as possible. From my point of view, "Sunset Boulevard" is, like "Casablanca" and "The Maltese falcon", a classic.

This film is directed by Billy Wilder, and narrated by a dead man that appears in one of the first scenes floating in a swimming pool. It sounds strange, doesn't it? Despite that, it is very effective! The opening sequence is strong, but things get better and better as the story goes on. Despite that, a word of caution is in order: if you don't like black humour, don't watch "Sunset Boulevard", because this satire of the perverse side of Hollywood has it in spades.

One of the main characters is Joe Gillis (William Holden), a screenwriter without money that happens to hide from his creditors in an old mansion that seems to be empty. That is unfortunately not the case... The mansion is no less than the home of Norma Desmond (Gloria Swanson), a rich woman that used to be a silent screen star, and that wants to be famous again. That appears to be the reason why she employs Joe to improve a very long script she has written for her comeback, and also the reason why she insists that Joe is to stay at her house in the meantime. Joe isn't fond of the idea of staying in the mansion with the old woman and her creepy butler, Max (Erich von Stroheim), but he has no money, so he has to accept. Joe Gillis is like a fly caught in a spider's web: from the moment he enters Norma's house he is doomed, he just doesn't know it yet.

What will happen? Well, you must watch this film to learn that. I can only promise you that "Sunset Boulevard" is the kind of movie you don't regret watching. It is entertaining, insightful, has great performances and includes some of the best lines I have heard in a movie. Again, a classic. HIGHLY RECOMMENDED!

Belen Alcat

PS: If possible, remember to watch the extra features after seeing this film. One of them, a commentary by Ed Sikov, is specially good, due to the fact that it allows you to learn several interesting facts about the cast and the making of this movie.

PS 2: I wil include here some of my favourite quotes from this movie. I'm sure they will make you want to watch it :)

-Joe Gillis: "You're Norma Desmond. You used to be in silent pictures. You used to be big".
Norma Desmond: "I am big. It's the pictures that got small".

- [Joe is reading Norma's script] Joe Gillis: "Sometimes it's interesting to see just how bad bad writing can be. This promised to go the limit".

- Norma Desmond: "We didn't need dialogue. We had faces!"

- Joe Gillis: "There's nothing tragic about being fifty. Not unless you're trying to be twenty-five".

- Norma Desmond: "All right, Mr. DeMille, I'm ready for my close-up".

Pathetic FULL SKULL BABY! empty skull, sniff. empty skull, sniff. empty skull, sniff. empty skull, sniff.
Can't remember when I've seen a film with more depraved and pathetic characters than this. A has-been silent screen star who lives in a sinister dark house surrounded by a gzillion of her own photos and a weirdo butler essentially kidnap a holiday screen writer, down on his luck. The writer wanders onto what appears to be deserted property, and hides his car trying to escape a Finance Co. The threesome make the creepiest trio you could ever imagine. In one early scene they have a funeral, casket and all, for a monkey. Yuk.

Gloria Swanson was directed to play a woman who still thinks she can make a come back by writing her own script, though she despises movies that "talk". She waves her hands about, and makes strange corny expressions with her face in every scene. She falls for the screen writer, William Holden, and won't let him out of her sight. The film was made in 1950, and Swanson is supposed to be playing a woman of only 50, not exacty over the hill (if we look at many of today's movie stars.) But she's treated in the film as though she much, much older. I thought she was supposed to be about 75 or so, but her age is mentioned towards the end of the film. My heavens, at 50 she could still be in movies, and from the amount of money she apparently had, didn't need to be living in such a dark, creepy house. Film didn't make sense.

Sorry I bought it. It was ridiculous.

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