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Sarah Vaughan - The Divine One (Masters of American Music) Customer Reviews (1 - 3 of 8 Reviews)

Sassy' voice did not deserve to be butchered...
I'm sorry to say this: THIS DVD SHOULD NEVER HAD BEEN RELEASED.
If you notice they call it a videocassette in the inital copy warnings, twice... Video quality is pretyy much NTSC VHS.

I'm a great fan of Sarah since 1973, when I heard her, at the Cascais Jazz festival, weeping and apologizing for a failure that occurred in the sound system, and own 13 LP's of her great art. All of them sound better that the Dolby crap on this DVD, including above all the "Mono" Mercury with Clifford Brown. The 1978 "How Long has this been going on" is a treasure..

Sarah Vaughn is to be heard and to TO BE FELT. This DVD contains too little music, too much babbling, no PCM Audio, no Subtitles.

It is pure exploitation and BMG should be ashamed of publishing it.
If there is no better video/film footage of Sarah available anywhere, do no publish any video, leave us blind. I'm only sorry for the earing impared, but what can I do?...

The Divine One - says it all
I have loved this video-biography of Sarah Vaughan, from the day I first viewed it. I have two copies on VHS and one on DVD. If I have to fault this video, it is that the live performance clips are far too short, leaving you wanting more. They offer nothing more than a tantalizing glimpse of Sarah Vaughan's musical genius.

By far my most favourite excerpt is "The Shadow of Your Smile". This live performance outdoes any other recording I have ever heard by another artist and even outdoes Sarah Vaughan's studio recording with Mercury Records. I wish I could obtain the complete performance of this live rendition.

It sounds trite I know, but this is a must have for any self-respecting Sarah Vaughan fan.

LET'S START IT OFF CLASSY! LET'S START IT OFF SASSY!
For me, after Ella Fitzgerald and Dinah Washington comes Sarah Vaughan, and this testament to her life and career reveals the sassy power she wielded as a performer and as a human being. Highlights include clips from some of her interviews (such as with Dick Cavett), and from some of her live performances--we see her sing "Misty," "After You've Gone," and "Send in the Clowns." More tracks from her sprawling career, however, would have made this production more palpable. At the end of the video, we still feel that there is much left unsaid and untouched about this talented jazz performer. From the sound clips we're given, we don't have much of a sense of Vaughan's vocal range. We need to hear tracks from the "Live From Mr. Kelly's" album; from the superb Copenhagen concert at the Tivoli Gardens in 1963; and from her marvelous work with Count Basie and Ben Webster. There are revealing intimate moments with Vaughan's daughter, Paris (who, with bitterness, it seems, shares with us about her mother's doubts and fears as a performer), and with Vaughan's mother (who humorously unfolds the story of Vaughan's winning the amateur contest at the Apollo Theatre as a teen); as well, we learn the most from Vaughan's musical colleagues, Joe Williams and Roy Haynes, among others (we learn that Sassy could swear like a sailor and loved to drink). This video construction of Vaughan's life, while good, is not excellent. We needed more of Sass's sass. But overall, it is an adequate introduction to a great jazz songstress.

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