Phantom Ship

Phantom Ship

Rating: FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff.
Release Date: 28 May, 2002

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Phantom Ship Reviews


Stilted script hurts strong acting and camerawork FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff. empty skull, sniff.
This film is badly hurt by a script that has minimal drama or momentum. Not that things don't happen, but they are played out in dry and implausible ways. From the opening scene of Captain Briggs asking Sarah to marry him and his rivalry spelled out in terms of pure exposition to the way nothing manages to be suspenseful, this is a very poorly done film. That's not to say it isn't worth seeing. The acting is generally strong from everyone, particularly given what they have to work with. Everyone now is watching it for Lugosi, who is a revelation--he is nearly unrecognizable and even tries to speak differently than usual, which is quite a task for him, not entirely successful in its accomplishment. Clift's direction makes it almost more of a surprise that Lugosi is the killer, since every aspect of the performance suggests that he has been given the rare (for him) opportunity to play a good guy--it must be instentional the way his face moves in the prayer scene. Edmund Willard is a one-note bad guy while Arthur Margetson chews the scenery with an expressive voice.

The excellent art direction of J. Elder Wills is ill-utilized, and the film would surely look better if only stills from it survived. The enormous wheel of the opening marriage conflict scene could have been quite powerfully rendered in the hands of a more gifted filmmaker. Notable, too is the noirish use of shadows in the four-handed cinematography.

It is great that Image has taken pains to preserve what's left of the film, but the film itself is a major disappointment--a drama of uninvolving proportions and laughably poor dialogue.

A bit dry, but has good Lugosi role... FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff.
Like most movies about real life events, this one is also worthless as history. The film tells the more sensational version of events theorized to have occurred aboard the famous sailing vessel, Mary Celeste, found in the middle of the Atlantic under full sail with no one aboard.

Captain Briggs gathers a crew for the trip to England, but not before stealing his best friend's girl and marrying her. With a crew and his new wife aboard, the ship departs New York. Once out at sea, the cruelty of a seaman's life becomes obvious to the new bride, who quickly chooses to stay below deck most of the time. About half-way through the movie, the crew begins getting bumped off one by one, until the mystery of the Mary Celeste becomes legend.

The original British film ran about 80 minutes, some of which was taken up with a courtroom inquiry into the mystery. Those parts are missing from this, the American version, and the footage is assumed to be lost. It was felt that American audiences in 1935 would either not understand or care about the inquiry angle, so these scenes were excised. Clocking in at 62 minutes, "Phantom Ship" seems somewhat strangely tedious despite the cuts. The dialogue and acting are remarkable only in their lifelessness and lack of believability.

However, the movie is still worth a looksee by Lugosi fans. Lugosi offers us a dramatic performance rather than his usual horror genre type of character. He does an admirable job playing the broken shell of a man who lusts for revenge. His performance (especially towards the end of the film), really sells his act.

Edmund Willard plays Toby Bilson, first mate of the ship. He comes off very well as the menacing bully of the deck, seemingly intent on crushing any element of joy the crew may have in their drab lives of toil. Of all the cast, he and Lugosi are just about the only ones that stand out.

Doubling for the Mary Celeste is a British sailing ship used in World War I to hunt down German subs. Shooting parts of the film aboard an actual sailing ship lends some documentary-style assistance to this otherwise dry film.

The transfer is pretty good, and probably the best that could have been made given the age of the film. The transfer reportedly came straight from the original nitrate film elements of the American version.

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