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Monsters, Inc. Customer Reviews (31 - 33 of 85 Reviews)

Enjoy!!! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
A gift for our daughter...the beginning scares her but then she laughs. Kids love this...Adults also!!!
If you get the chance to see this you will enjoy it!!!
The animation is great!!!

One of Pixar's Best FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
This is such a great film, I was having fun right along with my kids. John Goodman and Billy Crystal are wonderful and hysterical in the parts of Mike and Sully. Its a fun movie, seemingly set in another world. Monster City is, of course full of scary looking monsters. The entire city is powered by children screaming! But, ironically, the monsters are even more afraid of the children then they are of them. And when one of those children, the delightful Boo, breaks lose into their world, problems of course ensure. The ending is sweet, and the whole movie is very enjoyable and loaded with great scenes.

Pixar Does It Again FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
Monstropolis is experiencing a power shortage. They use the screams of human children to power their city. But the numbers are off and Monsters, Inc. is really pushing the people who work on the scare floor to create more energy. James P. "Sulley" Sullivan (John Goodman) is the current leader. A large, fuzzy bear-type creature with horns, Sulley works with Mike Wazowski (Billy Crystal), a round green guy with one eye. As a team, they are the current leaders. Randall (Stave Buscemi) is consumed with jealous rage and wants to be the top earner. Everyone in Monstropolis has been taught that the human children they scare are also toxic to the monsters. This leads more than a few monsters to become afraid of them and quickly call of the visit. One night, after everyone has gone home, Sulley revisits the scare floor and finds that a door to a child's room has been left behind. He pokes his head in and sees nothing. When he returns to the scare floor, he finds that the little girl who lives in the room has grabbed onto his fur. He nicknames her Boo and has to figure out a way to get her back home without causing the city to becomes panicked.

"Monsters, Inc.", the newest film from Pixar, is a brilliant addition to their library. Directed by newcomer, Peter Docter, a John Lassiter protégé, the film starts with a brilliant concept, adds a delightful screenplay and tops it off with some of the best computer animation yet.

Much like the previous Pixar films, the attention to detail in "Monsters, Inc." is simply staggering. Monstropolis is basically any large American city, down to the power crisis and potential rolling blackouts. The only difference is that it is populated by monsters of all shapes and sizes. The buildings are given brick detail, the cars are given grills, the interior of Monsters, Inc. has a large lobby. It makes it seem very real. The attention given to the characters is actually even more impressive. Sulley's fur coat seems to be very real and life-like. Every strand of fur seems to move individually. In a couple of scenes, his coat is buffeted by wind and seems to ripple like waves. His facial expressions are also very good and exhibit a whole range of emotions. Mike, the little round assistant, is given more of a goofball comic look, fitting the voice that Billy Crystal uses. His eye and mouth movements are very expressive and help to create an impressive character. Every monster has a different look; Celia (Jennifer Tilly), the girl Mike has a crush on, looks like a sort of Medusa slug, Mr. Waternoose (James Coburn), the head of Monsters, Inc. looks like a crab. This level of inventiveness never fails to amaze the viewer.

The story is very involving, providing amusement for the adults while the kiddies are amused by the animation. The story opens with a little boy going to bed, as his parents close the bedroom door. Immediately, his eyes widen as he imagines the closet door open a crack and a shadow flowing from it. It turns out to be pajama sleepers, hanging on the inside. Then, a monster appears, ready to frighten the child, only to get frightened by the child instead. But all of this is actually happening in a simulator in Monsters, Inc., to train the monsters about frightening the children. The method used for getting into the children's bedrooms is very inventive. The story involving Boo, the human child is also very amusing. A chase through various children's doors is also an amusing highlight. Just these few elements represent more thought and inventiveness than that which is invested in most other Hollywood films.

There are also a lot of jokes aimed at keeping adults occupied. First of all, the entire film is basically a tribute to baby boomers. Everything in Monstropolis is growing old and weathered. It is the children of today, harder to scare because they are desensitized, that are the problem. The children of the baby boomers are the problem, inferring that the baby boomer period was just fine for Monstropolis.

Ultimately, "Monsters, Inc." has a message or moral and it is presented in such a way that all viewers can get the message and retain it. The message isn't rammed down our throats and forced upon us.

"Monsters, Inc." is an enjoyable film for everyone in the family. The characters, animation and story will surely win over everyone who watches it. 4 ½ stars.


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