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Midnight Cowboy Customer Reviews (37 - 39 of 44 Reviews)
Funny, mind-opening, ultimately heartbreaking.
I saw Midnight Cowboy for the first time last night, and I'm furious with myself for waiting so long to give it a shot. I reacted to it in a very personal way, and it's been on my mind all day. Hoffman and Voigt's performances are pitch-perfect, Schlesinger's direction is daring, snappy, unique, Waldo Salt's screenplay is full of wit and compassion, and the fabulous music really sets the tone. Unlike many others I don't feel that the movie has dated in any serious way. The much-talked-about acid-trip party sequence does look very 60s, but it isn't embarrassing or anything. Besides, the movie was made and is set in the 60s, so whaddya expect? As a previous reviewer mentioned, the director was hardly gonna make this picture with the 21st Century audience in mind. He made it as a reflection of the time and place. (This is common in Schlesinger's work -- he has a remarkable eye for detail.) Most importantly, modern audiences will still be able to relate to all the movie's main themes, like lonliness, confusion, friendship, sex and disappointment. The only real problem I have with the film is that at times it seems strongly homophobic -- the few gay characters who are developed in the movie are all presented as pathetic, sadomasochistic crazies. But then, the movie takes a harsh attitude to all the characters except the two leads, so perhaps I'm overreacting. So, anyone who considers themselves film buffs simply must watch Midnight Cowboy. Not because it's a well-known much-quoted classic of cultural significance (which it is as well) but because it'll genuinely make you laugh and cry, and later, think. Actually, whoever you are, watch it anyway. Yours truly is certain you won't be disappointed.
"I'm walking here! I'm walking here!"
John Schlesinger's "Midnight Cowboy" is a character study of two individuals. One is a simple man who holds idealistic beliefs toward life; the other is a realist who knows how cruel the world really is. One fashions himself a cowboy, the other has honed himself into a survivalist. Together the pair makes an odd duo. Both embrace the American ideal of rugged individualism but neither has been able to find much comfort in their independence.
Joe Buck (Jon Voight) leaves his small Texas hometown for New York with the dubious hope of making it as a professional "stud." He gets off to a rough start as the women he encounters either reject him or completely misunderstand his motives. Buck soon strikes up a friendship with Rico "Ratzo" Rizzo (Dustin Hoffman), a handicapped con-man who takes the naïve youngster into his confidence. They travel out into the night searching for adventure but never quite find fulfillment in anything they do. Deciding that greener pastures await them elsewhere, the two men board a bus for Miami. However, their journey ends on a sad note.
"Midnight Cowboy" was a notable film at the time of its release. It portrayed an America that had few happy endings for its citizens and one that acknowledged the existence of sexual abuse within its borders. It cynically dissected the cherished myth that a strong commitment to one's individualism would bring happiness and fulfillment. It also was a mainstream film that dared to have two unappealing characters as its main leads. Yet, despite the strong impressions left behind by Voight and Hoffman, "Midnight Cowboy" no longer plays well. The sparks it generated in the past have long been extinguished. Time has moved on and unfortunately "Midnight Cowboy" has not been able to keep pace.
Still Meaningful Today
1969 was an excellent year for films.There was Anne of the Thousand Days, Butch Cassidy and the Sundance Kid,Hello Dolly,Easy Rider, the list goes on and on.Why is it then that this is the film that won the Academy Awards for best picture,director and screenplay of that year? (and was also given nods for both leading actors). Perhaps the voters over 30 years ago could forsee that this movie would stand the test of time.
This is a story that tugged at our heartstrings, and made us up sit up and take notice of the world around us. Joe Buck(John Voight), a naive,good looking,Texas "cowboy", in a get up that looks as if he is Alan Ladd reincarnated, hits the "Big Apple" in hopes of striking it rich (literally) with the ladies there.
It isnt long before his hopes are dashed, he is broke,life on the streets of New York is savage.He must do things that turn his stomach in order to survive. He finds himself in need of a friend. The friend comes in the form of one "Ratso" Rizzo (Dustin Hoffman), a sleazy. panderer, who offers Joe a place with him in a condemned apartment building.
Ratso takes Joe under his wing, and together they try to survive on one get rich quick scheme after another. These two very different men form a unique bond. Joe has disturbing thoughts of the past, and Ratso has dreams of the future. When Ratso falls ill,though. it is Joe who must care for him. Their friendship moved us then and it will move you now.
The actors are phenominal in their performances. Hoffman fresh off his success in "The Graduate" shows us way back then how versitile he is, and Voight the newcomer proved his dramatic skills early on. The director John Schlesinger (Far From the Maddning Crowd) gives us a very realistic view of life on the streets. At the time of it's release this film was rated X (it is R now) and although there are some expicit scenes, the main focus is on the kinship of man.
The DVD(MGM) is a nice transfer. The colors ar vibrant. It is in the original widescreen format (with a standard format on the b side of the disc) It is in Dolby Digital 5.1 surround,not the best I have heard done on a film of this age, but still good enough. The soundtrack is wonderful with the great song "Everybody's Talkin". No other special features on the disc itself but it does come with a booklet on the casting and making of the film, along with some other interesting facts about it.
This would be an excellent addition to any film collection.
Enjoy.......Laurie
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