Mad Max Beyond Thunderdome

Mad Max Beyond Thunderdome

Rating: FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
Release Date: 03 February, 2004

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Mad Max Beyond Thunderdome Reviews


Mad Max Beyond Thunderdome FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
so far so good . Have not watched it yet. Ocean7739

Lush continuation of 'The Road Warrior'. Buy It. FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
`Mad Max, Beyond Thunderdome', directed by Kennedy - Miller, and starring Mel Gibson and Tina Turner, is an obvious and explicit sequel to the iconic sleeper, `The Road Warrior'. In many ways, `...Beyond Thunderdome' is a better movie, but when all is said and done, `...Beyond Thunderdome' does just a bit too much copying of its precursor to stand on it's own two feet, like `Aliens', as an independent movie.

Some of the many things which are better are the acting, the believability of the heavies and their back story, the sound track, including two terrific performances by Tina Turner, and the subplot involving the gang of `lost boys' in the second half of the movie.

And yet, the story seems just a little contrived. Both the master-blaster character pair and the `lost boys' story seem just a bit too contrived. On the other side of the coin, the development of what may be called `The Lord of the Flies' premise, where children are left to their own devices, is masterfully done, enhanced so well by morphing the language from modern Australian slang to something bordering on a new dialect makes one want to check that the script wasn't written by Anthony Burgess (see his `Clockwork Orange', as realized by Stanley Kubrick).

My primary objective in writing this review is to celebrate my adoration for this movie, which affected me almost as much as `2001' and `Lord of the Rings', even though these are far superior movies overall. A fairer comparison is to `Silent Running', the ecodisaster story featuring Bruce Dern and a soundtrack of Joan Baez songs. Both movies simply struck a chord with their very effective warnings about how mankind may shoot itself in the food.

Unfortunately, both movies are also not strong enough to sustain an effective suspension of disbelief to last beyond the walk to the theatre doors after seeing them for the third or fourth time. Where `Alien' and `Blade Runner' work, these work just a bit less well.

But they are still important films.


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