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Harry Potter and the Prisoner of Azkaban Customer Reviews (13 - 15 of 104 Reviews)

I agree with most good reviews FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
I agree with most reviews but i think Alfonso CuarĂ³n Just went a little to dark, i mean hogswarts was falling apart, come on! I understand darker, a bit older and musty just because it's POA in which the book is but it's like this year clases were in somekind of acient ruin's not a school where magical studies are commited,and the Hogwarts grounds look very chaotic not like the first parts which seem to be a well organized, i think weather and outdoor efect were really good in acordance to the book, the fog, the rain, etc. Well aside from hogwarts looking like a graveyard i think it was well done.Just hope that for GOF we dont get too Bright and Happy (HP 1,2) or the Dark Graveyard (3)... and lupin tranformation sucked big time worst werewolf i've ever since ok i get the werewolves isn't synonymous with fur but that blue-grayish hairless Mexican dog craked me up.

The Third Harry Potter Movie FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
I thought this movie was much better than the theater version because the deleted scenes add so much back into the plot from the book. Also, the games and interviews are well done and entertaining.

Problematic medium FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff.
The third part of the Harry Potter series is better than its predecessors, but still lacks the emotional resonance of other literary adaptations (e.g. "Lord of the Rings"). Moments of awe abound, but the plot and sub-plots seem disjointed and superficial. The problem is still the source book. Rowling books contain a series of peaks to be digested in several sitting sessions, each chapter or group of chapters being sometimes radically different adventures that together conform a plot. Those books don't have the scope of Tolkien work, or the movie-minded shallowness of, say, Dan Brown's "The DaVinci Code". So, their translation to the screen present progression problems that Cuaron hasn't solved.

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