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Harold and Maude Customer Reviews (58 - 60 of 68 Reviews)

A Classic FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
To the "Viewer of Edmonton," a couple of the songs from Harold and Maude were on what is now an obscure vinyl album of the Best of Cat Stevens. For those who have not seen this movie, it's a strange, funny, dark comedy about a suicidal 20 year old full of despair and hopelessness, until he meets the 80-year old Maude who with her love of life and often reckless abandon, changes Harold's life forever. This is definitely a 70's classic that you will not easily forget. While it may seem like a silly little comedy, the underlying message and tone of the film will remain with you. The haunting songs of Cat Stevens throughout the film just add to its unforgettable charm.

Fabulous Film FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
I bought Harold and Maude after being unable to rent this gem of a film at the local video store. I had not seen the film since high school ... as an adult I found the film even more captivating. The score with original songs by Cat Stevens create a wonderful message to the movie, and the acting by Ruth Gordon and Bud Cort is magical. Unlike movies today, this film does not rely on Hollywood gimicks and heavy production technique, but rather takes a great story and creates a moving movie experience. One of my favorites of all time.

#1 with a Bullet FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
"Harold & Maude" must be my favorite movie of all time. I've probably seen it at least 40 times. Perhaps that's why the DVD wound up under this year's Christmas tree for me. Director Hal Ashby does a wonderful job with this offbeat flick. After winning a Best Editing Oscar for "In the Heat of the Night," this was Ashby's 2nd film as director to be followed by an impressive list of classics, "Coming Home," "Shampoo," "The Last Detail," "Bound for Glory," and "Being There" before he died of cancer in 1988. Not a frame is wasted.

Bud Cort and Ruth Gordon are magnificent as the leads in this unlikely love story. Gordon who won an Oscar for "Rosemary's Baby" is full of life as Dame Marjorie Chardam or Maude. She gets the classic lines, "How the world still dearly loves a cage," and "It's best to aim above morality; otherwise you got nothing to talk about in the locker room." Bud Cort as wide-eyed Harold draws us inside his heart, despite the incredibly bizarre suicidal behavior. But as is referenced several times in the lines, "It's absurd"; and H&M is an absurdist film, showing alienation from society.

The richness of the film is reflected in the great care with the minor characters. Charles Tyner as Uncle Victor is described as General MacArthur's "right hand man," only to be shown as a military officer whose right hand has been amputated. Vivian Pickles is incredible as Harold's mother, one who lives in her own world. From the moment we see Harold hanging in the drawing room and his mother casually calling to reschedule her hair appointment, we know we are in for a very unusual look at competing values.

The three dates are each marvelous cameo performances. Will Geer's daughter Ellen Geer who has also played in "Clear & Present Danger" & "Patriot Games" plays actress Sunshine Dore (Door actually!) who commits hari-kari. Shari Summers as the wide eyed Edith Fern who sells chicken feed to not quite the whole Southwest gets to watch Harold chop off his hand with a clever. Cort's smile as she exits is a perfect Mona Lisa. Judy Engles who plays Candy and bubbles about majoring in Poli Sci as Harold apparently sets himself aflame is priceless as is her insane exit from frame. Eric Christmas as the priest who starred in other odd classics like "Porky's" & "Attack of the Killer Tomatoes" is marvelously revolting as he tells Harold that the thought of his young flesh commingling with Maude makes him want to vomit.

Harold & Maude is so well loved for so many reasons. Maude's odorifics where Harold smells snow is magical. Maude's description of the lillies having so many observable differences when Harold comments that they're all the same is powerful, followed by her pointing to a graveyard and saying, "I think much of the world's sorrow is from people who are actually this (flowers), but allow themselves to be treated as that (gravestones, dead)."

The ultimate reason why "Harold & Maude" is considered classic by so many is that it touches universal truths in our hearts. Some can't get beyond the older woman, younger guy thing; and that's a shame. Many of us will watch it another 40 times with equal delight! Enjoy!

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