Going Places

Going Places

Rating: FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff.
Release Date: 22 January, 2002

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Cast: Complete Cast (8 total)


Going Places Reviews


a must see..! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
Patrick Dweare and Gerard Depardieu are so good together in this movie.a lot of energy from the pair and also some good laughs,the dubbing is ok but i think the movie is better in french speaking.it's a must see if you like french movie.

A French "Easy Rider" but rather more misogynistic... FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! empty skull, sniff. empty skull, sniff.
Yes this is a french road movie, which in itself is interesting, but the rather sickening misogyny of the first part of the film makes it often hard to stomach. So be forewarned as you watch this, for if you are a fan of French cinema and culture, there are some things to be gleaned. As a portrait of a part of French society in the early seventies, culturally not long after the student riots of '68, the bohemian existentialist anti-bourgeois drifter held a romantic appeal similar to that found in an American equivalent to this film, Easy Rider. The relationship between the two men and the much older Jeanne Moreau actually subverts the film's early presentation of women as sexually and intellectually inept; yet her untimely end does nothing to truly mark her sexual freedom as empowered or stronger than that of poor miou miou who is pretty much a stereotyped kitten throughout, even when she learns to "enjoy" her freedom with the men at film's end.
Ultimately, if you are seeking an "amelie" or "il postino" or some other such Eurofilm fun, avoid this. But if you watch french films for some insight into the culture, this one is worth seeing. However, be prepared for some pretty brutal treatment of women. Nonetheless, the men are all largely bourgeois dupes or "liberated" trash too, so at least the film is egalitarian in its disdain for stereotypical gender roles. It is interesting to watch this film in tandem with Truffaut's "the man who loved women" for some insight into one aspect of the French view of women.



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