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Funny Face Customer Reviews (1 - 3 of 33 Reviews)

empathicalism for beginners ... and agile photographers
The look on the Parisian photographer's aid as he watches Audrey Hepburn pose from his perch on the Seine riverboat says it all. She's magic.

But she's not alone.

George and Ira Gershwin made the music magic. Fred Astaire provided the masculine charm, even if he'd have to be arrested for abuse of a minor if he made this film today alongside the gorgeously youthful Hepburn.

Whatever the exact mix, Funny Face is a magical film, pulled off mostly in Paris just a dozen years after the Germans abandoned the City of Lights and hightailed it for home.

For people like me who had not yet been conceived in 1957, you can watch this unforgettable movie for the art. Or you can view it as a period piece of Americana. Don't get hung up on the choice. You'll love the film either way. Plus, you owe it to your education to understand that movies like this were made once upon a time and that the flicks you see today have this DNA in their genetics.

Kay Thompson is no slouch as the ever-confident editor of Quality Magazine. In fact, she provides the hard feminine foil that casts Hepburn's softness in such a beguiling light. Do people with Thompson's energy still get born somewhere? I'm sure they must, though it's no longer cool to let it out in quite such explosive bursts. Thompson's editorial matriarch wouldn't have worried too much about that. She'd be too busy crafting her next editorial for 'the American women ... no, make it *all* the women.' That, or speaking - with Astaire - some of the finest bad French on celluloid. The two also exchange some indelibly hilarious lines at the French master of empathicalism's salon.

Yet for all this stunning mélange of artistry, Hepburn is clearly the (soft) focus. Forgive me, I just have to say this once and then it'll be over: She's s'wonderful.

What a film. As Professor Emile Flostre might have said - indeed he did - 'I can still see them when I close my eyes.'

Worth it for Hepburn fans
This is an odd little musical. Audrey Hepburn plays a book shop clerk that is discovered by a fashion magazine, and travels to Paris as their newest model. There she explores the underground nightlife and begins to develop a romance with her photographer, played by Fred Astaire.

The performances are fine all around, and Hepburn's stage talents particularly shine through in one solo routine in a nightclub. But the overall experience just isn't very memorable. Stacked against the major MGM musicals from the era, Funny Face lacks the boldness and scale of those productions (though much of the production staff was supposedly part of the MGM crew as well). It's not a bad film by any means, and certainly worth the purchase for Audrey or Fred Astaire fans, but it's not one you're going to remember these classic screen icons for.

I wish the movie was as funny
Odd combination of characters with divergent interests pair for romance. Fred Astaire is an old photographer and Hepburn is a youthful book salesperson turned model. When they arrive in Paris she looks for a good time with the hip poetry-reading and avant garde dance society -- he looks to perfect her career as a polished model. Before long he is crooning songs and dancing in the street, eventually attracting the heart of the unlikely bride.

I genuinely dislike offering ratings inconsistent with the majority. Heburn is usually a delight to watch but obviously FUNNY FACE is not one of my favorites. Diehard Astaire or Hepburn fans will be curious but I give it only three out of five stars. Even Audrey in stunning Givenchy outfits, showing off her talents as an energetic dancer couldn't elevate this ridiculous plot above mediocrity.

Movie quote: "She put herself in your place -- all you have to do is put yourself in her place, and you're bound to bump into each other in somebody's place."

(I HAVE DOZENS OF GOOD MOVIE REVIEWS)

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