Edie in Ciao! Manhattan

Edie in Ciao! Manhattan

Rating: FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! Half Skull, Meh.
Release Date: 12 November, 2002

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Edie in Ciao! Manhattan Reviews


Celluloid heroes never really die FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
The two Edie Sedgwicks in this shambling sprawl of a film tell me everything I need to know about what happens when you repeatedly apply hard drugs to a young mind. Not good.
Eyelash Edie of the Factory days in the mid 60s was a jangly amphetamine doll, and implant Edie of barely three years later, after she had been ousted from the silver clouds and sent packing back to SoCal...ouch. She looked like a bobble head version of herself.
I read Edie: An American Biography when it came out in hardcover in 1982 before I had seen Ciao, and the book devoted several pages on the production, so I kind of knew what to expect, but of course to see the players in action...sigh. The original movie teaser promised "Speed. Madness. Flying Saucers." That's about right.
Lasting images: Ms. Berlin injecting speed in the toilet stall, screaming and blowsy...Edie plumped out, vacant and trying to dance...Paul America in New York driving a car out of a scene and (knowing this from reading Edie) he just kept on driving to California, stoned out of his mind...
For me, maybe the the last scene in the film is the most moving, where the young man sees Edie's obit in the newspaper and flinches away in sadness and embarrassment--
The lady might be dead but her influence floats on...
Also...
http://www.nypress.com/15/14/books/books.cfm

100 viewings ain't enough ! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
This no doubt is a strange film. If the theme of Zappa's 200 Motels was that touring can make you crazy, this film is definitely the flipside... DRUGS can make you crazy, ruin your career, put you in a nuthouse and inevitably kill you..... here we are in the flip side of the psychadelic 60's... the methadonic and dexatronic 70's... but the psychadelic daze pervails...

The director described Ciao as an OVERGROUND UNDERGROUND FILM... meaning that it is framed into a story with an actual plot and chractors and doesn't last 12 hours... In fact some of the dialogue and images in this film make it more of a cult classic (with its repeatable lines and dialogues) than a true "underground" film in which case it might have had statements to make, but wouldn't have necessarily been entertaining or rewatchable. Whatever, despite its flaws and the fact that at one point it was becoming the neverending film for the director and production crew as Edie and crew went AWOL for months, weeks days and years on end, it turned out great... it fact the film is so well edited and strung together you don't really realize that it was patch paste and capture scenes as you go until after you're told so... then admittedly it becomes quite obvoius.. -- Made over a 5 year period... you can really feel the colorful 70s when its the 70s and the mod (yet black and white) 60s when its the 60s... and everything blends together... In many ways the film reminds me of Zappa's 200 MOTELS... by the time its over you might feel as drugged out and dazed as many of the charactors, yet the charactors are so memorabe and the story so bizarre you watch it over and over again...

Despite the obvoius bad taste left in some Edie Sedgwick fans who realize that this film in many ways is a documentary of her fall and final days and might even arguably exploit it, on a level of entertainment and engagement this film is one of the all time most memorable... with the cartoonish "Dr. Roberts" sequences being a particular delight to cult movie fans... (*anybody remember the time when Junkie doctors like that were actually common ???)

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