At Midnight I'll Take Your Soul

At Midnight I'll Take Your Soul

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Release Date: 03 April, 2001

Retail Price: $29.99

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At Midnight I'll Take Your Soul Reviews


Coffin Joe FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
Well, I am brasileire and I think interessant the people of others countrys like of the Coffin Joe movies. In Brazil he is the Ze do Caixao. But theses movies no is a trilogy. The 3ยบ part of the trilogy never go maked. For fault of money. The awekening it's other movie. It still forgotten in Brazil since 1969 at 1983. A big shame.

This movie is a must have for any serious horror fan FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
Dracula, Frankenstein, Wolfman, and Mummy aside, Coffin Joe was one of the first real modern horror archetypes to grace our movie screens. Actually he didn't grace any screen in America, because he was a Brazillian creation, and that was where he remained for the most part, until Something Weird Video introduced him stateside in the eighties. The quality of video was attrocious, but there was no denying the feeling of that suspenseful hook as it went into you.
At Midnight I'll Take Your Soul is not a movie that moves at necksnapping pace. Like all good movies about the darker sides of small towns, it conveys the effect of looking into a terrarium or some kind of cage. The star attraction of this tiny town cage, is Coffin Joe, the gravedigger, who holds all the citizenry in a spell of bullyish terror. Without giving too much away, Joe's dilema is that he has no son and his wife is barren. I'd say this is one man's quest to realize his dream, but you'll laugh at the irony of that statement when you see the movie.
This movie could not have been done in anything other than black and white. It's scratchy, unfocused tone only adds to the dreamlike, hallucinatory quality that the story of this movie is supposed to be made of. This film also is a triumph of imagination over severe financial constraints. Shot over a period of scant days, Marins even had the bad luck of having some of the film stock stolen before he even set to shooting.
Finally there is the matter of Coffin Joe himself. Like Freddy, Jason, or Michael Meyers, Joe has threaded himself through many sequels and vignettes. He is an utterly fascinating example of the complexities of the human psyche. Malicious, sadistic, there is even a touch of the heroic as he defies god and satan alike in the graveyard. There is more than one level to his character, and one viewing of this movie alone cannot pigeonhole him. Marins's (who also directed) portrayal of Coffin Joe is nothing short of electric. His performace shows that real terror sometimes is not above and beyond in the supernatural, but in what we are capable of doing to each other and to ourselves.

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