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As Good As It Gets Customer Reviews (64 - 66 of 68 Reviews)

Better Than It Claims To Get FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
"As Good As It Gets" is one of the best comedies released in 1997. The plot of a man with OCD and a struggling waitress builds brilliantly as the movie continues. As much as many may dislike the lead man, he is highly laughable. Such comedy combines well with drama at the right places to give it the added flavor. It combines attitude, laughter, romance, and family. This movie rightfully earned seven Oscar nominations including Best Picture.

Two of those nominations became winners: Jack Nicholson for Best Actor and Helen Hunt for Best Actress. Nicholson's role has the intensity that gives this film the added comedy. His research into his character's disease and his characteristics showcase very well. As always, no words can express how terrific his acting is. Helen Hunt's role gives the film the drama it needs without removing the comedy. Her performance is enough to make an audience cry. Greg Kinnear's Oscar nominated role as a depressed gay man is one of the best performances of his career. All the other actors also performed wonderfully: Jamie Kennedy, Skeet Ulrich, Cuba Gooding Jr., and many more(even the dog).

"As Good As It Gets" is a great movie for those who are looking for a unique comedy. Everybody will be entertained.

My All-Time Favorite Movie! 5 stars aren't enough FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
There are so many things that I can say about this film and so little space to put them in. It is a story of human relationships, of love and friendship, of new beginnings, and of how people can conquer their fears, how people can change. taking place in New York city in a fairly trendy part of town, this story concerns Melvin (Jack Nicholson), an obsessive-compulsive, foul-mouthed and successful author; Carol (Helen Hunt), a kind, burnt-out waitress whose life literally revolves around her devastatingly allergic son; and Melvin's neighbor, Simon (Greg Kinnear), a brilliant and sensitive painter who, after being beaten during a burglary in his house, loses everything he has, including his self-confidence. How these people meet, connect and react to each other is a stroke of screenwriting genius, producing a hilarious and touching story that I feel should have won best picture over Titanic. Nicholson and Hunt readily deserved their Oscars for their exceptional performances, and I believe that Kinnear also deserved a win. Watch for Cuba Gooding Jr. in a strong and witty performance as Simon's art dealer. The last 15 minutes or so of this film contain the best ending that anyone could hope for outside of the Shawshank Redemption. Check it out and enjoy!

Delightfully perfect! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY! FULL SKULL BABY!
"How do you rate women so well?" asks a flattered young lady after reading one of the man's sappy romantic paperback novels and recognizing his face on the street. He turns around, looks at her and says, "I think of a man, and I take away reason and accountability."

The secret of "As Good As It Gets" is its unconventional, and often times irreverent, view of the entire romance scene. It is centered solely on two people, Melvin (Jack Nicholson) and Carol (Helen Hunt). Melvin writes those corny romance novels you always manage to find tucked in between the fiction and non-fiction area of your local bookstore. You know, the kind that little old ladies like to read through at an incredible speed in an ill-fated hope to re-live moments of their past.

Melvin is a bit like Paul Sheldon, from Rob Reiner's "Misery," although I'm sure if he had been found by a murderous fan he would have been killed early on--he's incredibly blunt and annoying. He probably would have told Annie Wilkes what he thought of her from the get-go, not hesitating any more than he has to.

Melvin has obsessive-compulsive disorder, which basically means he goes through strange routines every time he does something, whether it means locking a door twice or not stepping on the cracks of a sidewalk (we all do that, sometimes). I recently read a new Steve Martin novella about a man with obsessive-compulsive disorder, and it reminded me very much of "As Good As It Gets" and the Melvin character. Melvin is such a wacko that he pushes his gay neighbor's dog down the laundry chute after he finds it wandering around the hallway.

The gay man is played by Greg Kinnear. His name is Simon, and he has a small little dog he likes to call "precious." Simon is an artist, but when a band of kids wreck his apartment and beat him up, he is left with the realization that he hasn't enough money to keep his flat, and his boyfriend (Cuba Gooding, Jr.) may break up with him.

But the biggest worry of all is...what to do with his precious?

Frank, played by Gooding Jr., decides to give the dog to Melvin--who refuses at first but is left without any option but to obey. He soon achieves a certain subtle love for the beast, and when Simon has healed and comes back for the dog, it doesn't even want to leave. It even starts to develop nasty habits--like avoiding cracks in the sidewalk.

Meanwhile, a troubled single mother and a part-time waitress, Carol is constantly nagged by Melvin. Only she can deliver him food. Only she can take his order. Only she can kick him out of the restaurant. Mistaking this for some sort of sexual craving, she tells Melvin flat-out that she will never sleep with him. He doesn't seem to care. That had never even crossed his mind.

The fact is that Melvin is insufferably lonely. He likes to act as though he likes to be lonely, but the truth is that his loneliness is something he loathes. He would love to reach out and gain some friends--but he's too proud to humble himself in such a way. We all know people like Melvin--he just takes himself to a new extreme.

Melvin is surely one of the great screen characters of all time, ranking up there with Raymond "Rain Man" Babbitt and Forrest Gump as some of the most unique and likable inventions to ever grace the big screen. Nicholson presents his character in an especially effective way--at first he seems gruff, then he seems strange, then his soft side is revealed, and he slowly becomes the likable mean guy who lives upstairs and likes to try and kill neighbors' dogs.

Hunt won the Oscar for her work in "As Good As It Gets," but it was truly Nicholson who deserved it.

Regardless of all this, "As Good As It Gets" still stands alone as one of the cleverest romantic comedies of all time, and certainly one that both sexes can agree on. The film features some of the most memorable lines ever written on paper, the majority of them all coming from the lips of Melvin Udall, perfectly spoken by a typical gruff Jack Nicholson. They all come off as utterly hilarious and convincing. (Nicholson: "How old are you? If I would guess by your eyes, I'd say you're fifty." Hunt: "If I went by your eyes I'd say you were kind.")

This is the type of new-age romantic comedy that rivals the greatness of "When Harry Met Sally" or "Sleepless in Seattle." It's founded in its characters, their lives, their interaction, and how they learn to overcome their own personal obstacles and moral obligations. This film carries all the Autumn-time sweetness and cleverness of a Rob Reiner comedy, and all the lightness of a Frank Capra movie. It's a delightful blend of comedy and romance, and the type of redefining genre motion picture that "When Harry Met Sally" was eight years prior.

What a perfect, delightful movie.

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