Yar, you be here: About Last Night... > Customer Reviews
About Last Night... Customer Reviews (19 - 21 of 29 Reviews)
An absulute must see for those who love the chick/date flick
Most of the other reviews have nailed it when they say that this is a realistic look at relationships and dating. The haristyles have changed, Rob and Demi have grown up, and the fashion is seriously dated, but the theme, and the sheer believability of this couple stands the test of time.
In some ways this is a movie of cliches. Danny (Lowe) is a commitment phobic former womanizer, Debbie (Demi) is emotional and falls in love fast. Their respective best friends are resentful/jealous of their relationship. But hey, cliches are cliches for a reason, and all these characters will feel familiar, not so much because you've seen them before in the movies, but because you'll likely recognize in them friends of your own.
In many ways the story is the same as all the rest -- Boy meets Girl, Boy Gets Girl, Boy loses Girl (can't say anymore -- don't wanna spoil the ending). But this is the rare movie which actually picks up where the others leave off -- it's not about how the two come together in this big crazy world, it's about whether they can stay together in this big, crazy world.
If you miss any great 80s movies, make sure this is not one of them. Highly Recommended.
David Mamet turned into ¿thirtysomething¿
This is a pretty good movie, although the initial effect is disconcerting, like watching a sit-com that is painfully real and not just escapist fare. The players, Demi Moore and Rob Lowe as the lovers, and Jim Belushi and Elizabeth Perkins as their jealous friends, are very good, and Director Edward Zwick is to be complemented on getting so much out of all of them. The script, loosely based on David Mamet's play Sexual Perversions in Chicago is filled with sharp, clever and sometimes insightful lines worth quoting.
One is when Moore breaks off the relationship with her boss to be exclusively with Lowe. Taken back, he says, "But I thought we had something special." She replies, "No. It was sleazy. And now it's over."
Another is when Moore's sensitive and brutally sarcastic (and jealous) friend Perkins arrives for Thanksgiving and says to Lowe about cloddish, working-class Jim Belushi, who hasn't arrived yet, "Your vulgarian friend is downstairs denting innocent people's fenders."
After the two lovers move in together, and she has more than a drawer in his apartment and doesn't have to carry an extra pair of panties in her purse, they begin with "I love..." (awkward pause) "making love with you" (pure Mamet). But when he doesn't share his feelings with her, she says, "I don't want to be your roommate anymore. I had a roommate."
What she wants is emotional intimacy. A woman needs emotional intimacy because then she knows where she stands and she has some control. They move closer and she (caught unaware) says, "I love you." He (on the spot, camera close) replies, "I love you too." She sheds a tear, just one, as they hug, perhaps in joy, or perhaps because she doesn't know whether he really loves her or not, and it's so very, very important. The next day Belushi asks who said it first and cavalier Lowe says he did. Belushi, who boorishly fancies himself a lady's man, lectures his friend on just how very poor studly style that is.
About Last Night is really about forming and securing the bond between a man and a woman. It's trial by fire. Their emotions are on edge and their individuality is threatened. And all around them are people and circumstances, and their very own animal natures, testing and probing the strength of the bond. When it breaks the pain is enormous.
Lowe says: "I didn't fool around. Not once!" Moore rejoins: "Give the boy a medal. I didn't realize it was such a sacrifice."
Then comes her awkward and sad double date with the nerdy card trick artist with the British accent. Perkins says, "Couldn't you just listen to him all night?" and we're thinking, "NOT EVEN for one minute."
Meanwhile we have Lowe's casual pickups. Meaningless sex, and then not even that. But when he saves his friend's cafe, he grows up.
Belushi and Perkins are wonderful as "opposites attract." They fight the magnetism to the very end-speaking of which, the best part of the movie is the ending. It is perfect.
It should be noted that the movie is larger than Mamet's one-act play and covers ground not even considered in the play. The play was an insightful but somewhat crude comedy about sex. The movie is a popular drama about relationships.
... About This Film
Arguably, ABOUT LAST NIGHT was not only one of the best date movies to come out of the 1980's but also it's simple story of boy-meets-girl in the modern age is one terrific romance. Rob Lowe (at the peak of his preeniness) and Demi Moore (at the birth of her true beauty) fall in and out and back in love, with Elizabeth Perkins and Jim Belushi along for the ride ... and they almost steal the film. One great shooting script of the play SEXUAL PERVERSITY IN CHICAGO and terrific locations, ABOUT LAST NIGHT is a film that I'll always cherish.
| Previous Page | 1 2 3 4 5 6 7 8 9 10 | Next Page |
© 2004, 2005, 2006 DVD Booty | Don't Plunder Our Cache of Booty, Matey!
Hosting made possible by donations from debt management, Debt Dude, and mortgage loans
